The Master of Light

Posted by Jill Carattini, on November 12, 2017
Topic: A Slice of Infinity

Ballet lost some of its wonder when it was explained. It was a class that was supposed to lift my mind, lighten my spirit, and boost my grade point average. Instead it became a one-credit nightmare—a class dedicated to dissecting moves I could not duplicate, within a semester that seemed to slowly dismember my romantic fascination with dance.

Explanations sometimes have a way of leaving their questioners with a sense of loss. Students note this phenomenon regularly. Expounded principles of light refraction and water particles explain away the rainbow, or at least some of its mystique. Air pressure, gravity, and the laws of physics deconstruct the optical mystery of the curve ball. Knowledge and experience can poignantly leave us with a sense of disappointment or disenchantment.

I recently read an article that scientifically explained the glow of a firefly. The author noted the nerves and chemical compounds that make the “fire” possible, pointing out that it is merely a signal used for mating and is, in fact, far from the many romantic myths that have long surrounded it. As one who delights in the gifts of science but also the gift a sky ignited with bugs, I put the article down with a sigh. And then a thought occurred to me in a manner not unlike the description of the firefly’s glow itself: The light shines in the darkness but the darkness has not mastered it.(1) Where nerves and photocytes explain the glow of the firefly, have we come any closer to erasing the miracle of light?

Robert Henri, Ballet Dancer, oil on canvas, 1901.

However accurate or inaccurate our explanations might be, they sometimes have a way of leading us to short-sighted conclusions. They have also led us to outright incongruity. Brilliant minds can articulate exquisitely complex aspects of the human person and simultaneously describe it as an accident, an impersonal, adult germ in a vast cosmic machine. We have brusquely described life as a tale told by an idiot, signifying nothing, only to claim that this should not lead us to despair. We have declared our appetites and our reason the gods of a better religion, while insisting both God and religion to be an invention of the human psyche. We scoff at the notion of a vicariously human savior who frees captive humanity and revives the creator’s image, while maintaining we live with every qualification for human dignity, distinction, and freedom. Are these even realistic applications of our own philosophies? Do the explanations warrant the conclusions?

On the contrary, we sometimes seem to go about the business of undermining our own mines. Why should a tale told by an idiot have players of any intrinsic value? Why would an impersonal, cosmic accident see herself as a personal, relational being worthy of dignity? What we are attempting to explain away in one sentence, we are arguing for in the next.

Explanations certainly need not lead us to the conclusion that all is lost. But neither should our explanations lead us to conclusions that contradict our own accounts. Thankfully, in both cases, there are times in life where we find, like Job, that we may have spoken out of turn and discover there may be more to the story. Sitting through the whirlwind of God’s own 63 questions, Job exclaims: “I have uttered what I did not understand, things too wonderful for me, which I did not know.”

Ever thankfully, I believe there is an invitation that both invites great disclosures and discloses in great mystery. “Call to me,” the God of wisdom tells the prophet and the people. “And I will answer you and tell you great and unsearchable things that you have not known.” The presence of God can be overlooked, but it cannot be explained away any more than we can explain away the miracle of light.


Jill Carattini is managing editor of A Slice of Infinity at Ravi Zacharias International Ministries in Atlanta, Georgia.


(1) John 1:5.